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A belt pouch designed for the armoured fighter wishing to add concealed protection along his belt.
A plate of titanium between 1-1.2mm thick is riveted inside.
Handy for bringing a few spare laces into the battles or for added style.

Vegetable-tanned leather.

Model inspired by the 14th and 15th century London excavations.

The points are end caps attached to the ends of the medieval laces, to facilitate their passage through the eyelets.

Length: 2.5cm
Diameter: 4mm

Price: 1€ for the ferret

This scabbard isn't historical.
(The belt is not sold with it)
Designed for the buhurt fighter.
Can be adjusted to fit any type of weapon.

Width of loop: 3cm
Vegetable-tanned leather.
Possible options:
- Left or right handed
- Larger loop width
- Leather colour

Price: 35€ for the leather

Sleeveless doublet from the 15th century.
Although this garment is appreciated during hot weather, it is rarely represented in the sources.It is worn over the shirt and can be used to tie up shoes.
It is found worn by workers (peasants, miners, executioners, doctors) performing dirty tasks as well as by men-at-arms and wrestlers.

Sources:
- "There is a mention in a title of the Chambre des comptes, quoted by Du Cange, which tells us that in 1448 there were pourpoints both collarless and sleeveless that the francs-archers wore under a jaque" (Adrien Harmand)
- Ms. Ludwig Ludwig XIII 7 (83.MP.150), fol. 314
- The Grimani BreviaryHours of Charles of Angouleme
- Detail of a miniature of Nero watching while his mother Agrippina is dissected, Harley MS 4425, f. 59r

Possible options:
- Material: wool, linen, futaine
- with or without lining
- with or without lining, with or without visible hand seams
- with or without eyelets to fasten the shoes

Price from 177€ (wool with linen lining)

Ideal for attaching armour pieces.

European vegetable tanned leather.
Rectangular section 4 mm x 2,5mm thick,
Length : 1 to 1,3 meters.

Price : 2€ /m

Removable sleeves which are pinned onto the 15th century short-sleeved "corset" dress.

Source:
- The Descent from the Cross, Rogier van der Weyden, 1435
- The Birth of Mary, Alte Pinakothek, Munich, 1470

Possible options:
- Different materials: brocade, silk, velvet
- Visible handmade seams
- Buttoning / lacing possible on the forearm

Price: from €33

A short pourpoint from the second half of the 15th century.
It is worn over the shirt but is very often concealed by the upper dress/surcoat.

Sources:
- Musée Saint Loup, The acrobat (15th century)
- "The four states of society: Work, Nobility, Poverty, Savage state" (1500)
- Cases of unhappy noble men and women by Giovanni Boccaccio

Possible options :
- Materials: wool, velvet, brocade, silk
- With or without lining
- Visible handmade seams
- Sleeve opening with lacing or studs
- With or without eyelets for attaching socks

Price: from 192€ (unlined, without arm openings, and laces not included)

From 1450 onwards, this doublet is frequently represented. It was worn in several European countries but the Italian fashion was different.
It is shown open on the shirt in front and on the sleeves (up to maheutres).
We also find it less open with the edges of the collar coming together. Manuscript depictions often show it covered with the upper robe which hides many parts of the garment.

Sources:
- Le Mirouer historial de VINCENT de Beauvais
- Chronicles of Sire JEHAN FROISSART

Possible options :
- Material: wool, brocade, silk, velvet
- With or without lining
- Visible handmade seams
- Type of lacing / number of eyelets
- Closed or open cut on the shirt

Price: from 350€ (unlined)

This dress, also called a cotte, is worn over the shirt. It is cut close to the body on the bust then flares out.
Its neckline can be very wide until the top of the shoulders is completely revealed.
It opens on the front with multiple buttons.
The sleeves are fitted and buttoned.

Source:
- Speculum humanae salvationis Latin 511 Folio 16r
- Herjolfsnes excavations

Options :
- with or without lining
- plain or two-coloured
- Metal or fabric buttons
- Visible handmade seams

Price: from 340€

The burgundian gown is emblematic of the 2nd part of the 15th century. We call it also "Tassel" gown in french.
It is mostly worn by the nobles but the bourgeois imitates it.
It is worn over the shirt and the corset dress.
The "tassel" (most often black) is the piece of fabric in the V-shaped indentation of the dress.
It is pinned to the chest of the corset dress.
There are several possible collar shapes, the nobles will have fur at the cuffs and collar (sometimes at the bottom of the dress in the case of a full fur lining).
Some late images show brocade fabrics instead of fur.
The bourgeois will probably imitate this by replacing the fur with contrasting fabric.

Possible options:
- Outer fabric material: wool, brocade
- Material of lining: silk (ideal noble status), linen/fine cotton
- Type of fur: fake or real
- Visible handmade seams
- Length of the train

Price from 490€

This dress is called "corset" because it supports the chest.
It is worn directly over the shirt, adjusted by lacing which can be opened over the shirt.It can be long-sleeved (adjusted by a discreet buttoning or lacing) or short-sleeved.
In the latter case it can be completed by removable sleeves to be pinned.
It can be worn by all social classes, the richer you are the more saturated colours and greater width you have.

Sources:
- The Descent from the Cross, Rogier van der Weyden, 1435
- Madonna con infante, ca. 1450 (Antwerp, Koninklijk Museum)
- The Very Rich Hours of the Duke of Berry

Possible options :
- with or without lining
- long sleeves
- variation of the width
- visible handmade seams

Price: from 280€

Typical garment from the second half of the 15th century.
This masculine dress looks like a jacket in its structure.
It opens at the front thanks to small hooks hidden on the lining side.
The sleeves are wide and puffed at the shoulder to cover a doublet with maheutres underneath. They are sometimes slit to allow the arms to pass through.
The dress can be of several different lengths: ankle length (long), knee length (bastard), or buttocks lenght (short) and can be split at the sides.

Sources:
- Portraits by Rogier Van der Weyden
- Regnault de Montauban, volume 3, Ms-5074 (1451-1500)

Possible options:
- Outer fabric: wool, brocade, velvet
- lining : Fur, silk, blanket, linen
- Fur type : Fake, real recycled, real new (French supplier in good standing)
- With or without preformed shoulder pleats

Price : from 410€

Simple dress used by Viking women.
Long sleeves and split neck.
This is an interpretation due to the limited sources available.

Sources :
- Tomb 188/1960 in Haithabu (slit neck)
- Male tunics found (Moselund, Kragelund, Skjoldehamn)
- Fragment H55A in Haithabu (use of cups to give fullness to the garment)

Possible options:
- Exposed handmade seams
- Possible material : Wool (several weaving choices), linen

Price from 179€ (wool)

This 13th century dress has the particularity of having sleeves that are not entirely attached to the rest of the dress.
This feature allows them to be removed by tying them in the back for heavy duty work or for breastfeeding.
It was sourced from 1250 onwards for the status of workers or nurses.

Sources: Maciejowski Bible

Options :
- with or without lining
- Exposed handmade seams

Price from 212€

A surcoat with half-length sleeves, showing the buttoned sleeves of the cotte underneath.
For a noble status it would be long and could stop above the cotte to show it.
It has a central slit in the front and back and a buttoned collar.
It can be lined with fur or silk.
This surcoat is also present among women but longer and not slit.

Sources:
- Rothschild Canticles, Yale University, Ms 404, ff. 24v-25
- Tunics of St Francis of Assisi
- Frederick II, treatise on falconry, Ms 12400 f. 116r

Possible options:
- With or without lining (less historical)
- Choice of lining: silk, fur, linen, blanket
- Visible handmade seams

Woolen tortilla, reinforced with a second fabric of coarse canvas on the inside, with a woolen padding.
The seams are not visible.
Validated by the historicity committee for the buhurt competitions in fine version (photo of the red and white on the helmet).

Sources :
- Harley 4205 f. 11v (1445-1524)
- Great Equestrian Armorial of the Golden Fleece, 1429-1461
- KBR Bruxellensis IV 684 Brabantsche Yeesten (1425-1450)

Price: €35

Woolen torse, reinforced with a second fabric of coarse canvas on the inside, with a woolen padding.
This tortilla has a lambrequin, which is a decorative piece of fabric running low down the neck and back.
No visible seams.
Validated by the historicity committee for buhurt competitions in a thin version (about 5cm in diameter for torse).

Sources:
- Codex of Gelnhausen, Wenceslaus I. of Bohemia (early 15th century)
- Livre des tournois, René d'Anjou 1460

Possible options :
- Other material- Different valance made to measure

Price : 50€

TA torse made of 2 tubes of fabric padded and twisted together.
A lambrequin can be attached to it, this is the piece of fabric covering the nape of the neck and running down the back.
The seams are handmade.

Sources:
- Codex of Gelnhausen, Wenceslaus I. of Bohemia (early 15th century)
- Livre des tournois, René d'Anjou 1460

Possible options :
- Other material: silk, linen, velvet
- Custom made valance

Price : 60€ (without lambrequin)

Torse made of 2 tubes of fabric (non padded) twisted together and ending in 2 long straps at the nape of the neck.
The seams are handmade.

Sources :
- Ms. Germ. Qu. 15 - Bellifortis, Alsace, (ca. 1460)
- Codex Manesse 1300-1340

Possible options :
- Other material: silk, linen
- Custom made valance

Price : from 40€

The cotte is worn by all statutes before the appearance of the pourpoint around 1360.
The length of the garment gradually shortens during 14th century between the knee and mid-thigh.
And the cut becomes more curved than in the 13th century on the bust with a flare created by gores that starts from the waist/hip.
The collar may be round, slit or buttoned.The sleeves can be buttoned on the forearms or straight but fitted.
The fullness of the sleeve over the forearm becomes normal sized and is no longer particularly wide as in the 13th century.

Possible options:
- With or without lining
- Exposed handmade seams
- Round, slit or buttoned collar
- Single or buttoned sleeve
- Centre front and back slit

Source :
- Bocksten man's boot
- Luttrell Psalter
- Livre des propriétés des choses (Paris, Bibl. Sainte-Geneviève, ms. 1029)
Price from 160€ (tunic without buttons with gores on sides, front and back)

Reproduction of the Kragelund tunic (1040-1155) found in Viborg, Denmark.
The collar is slit at the front and back and forms a V-shape when the tunic is worn.
The tunic has a central slit at the front and back and sleeves constructed in 3 parts.

Stock:
- Unlined fine beige wool tunic, visible seams handmade with linen thread. Size L
250€

Possible options:
- Different material
- With or without lining
- With or without central slits
- Visible handmade seams

Price : From 170€ (machine sewing)

Half-circle linen veil found throughout the Middle Ages.
It is pinned on a basic headdress of the St Brigitte type, or on a linen headband thanks to 2 pins (no sources available for the headband).

Possible options:
- visible handmade seams
- Other material : cotton, cotton/linen blend, silk, silk blend, fine wool

Price: from 32€ (machine sewing)

Leather belt with historical buckle corresponding to your historical period.
Assembled by solid hand stitching with poissed linen thread.
A beeswax-based ointment is applied.

Possible options:
- choice of colour
- engraved ornaments
- choice of dimensions

Price from 32€

Simple hat, called a "barrette" in french, worn in the 15th century.
Visible handmade seams.

Price: 25€

The coat of arms is a military surcoat that one puts on over one's armour.
It evolves a lot during the 14th century.
At the beginning we find the 13th century style, then it becomes more and more fitted on the bust and ends up being shortened until the top of the thighs.
Some are slit at the front and back, still wide at the bottom around 1350, they become tighter thereafter.
They can be opened in front or on one side with buttons or lacing.
Often depicted sleeveless or with short sleeves, rarer are the long sleeves imitating the shape of the houppelandes at the end of the 14th century.

Sources:
- BL Additional 15277 Paduan Bible Picture Book 1400
- BNF Latin 757 Missale et horae ad usum Fratrum Minorum 1385-1390
- Recumbent of Johann II von Katzenelnbogen 1357

Possible options :
- With or without lining
- Material: wool, silk, linen, futaine, cotton (non-historical)
- Visible seams handmade
- Painted, applied (cut and sewn) or embroidered coat of arms
- Dagging on the edges

The points are end caps attached to the ends of the laces, to facilitate their passage through the eyelets.
Available in imitation gold or silver.

Length: 3.3cm
Diameter of the opening : 6mm basic, can be reduced by pinching the ferret to tighten the edges.

Price: 1€ / unit

Hood based on the discovery of Skjoldehamn in Norway dating from 1050-1090.
The sex of the body found is not known with certainty, nor is it known whether he was Viking or Sami.

Possible options:
- visible seams handmade
- with or without lining

Price from 50

Rubber blunt, used in battle re-enactment.
They are attached to an arrow shaft in place of the metal point (never over it).
The use of blunt arrows requires practice.
They are safer but still dangerous, especially for the face.

Length: 43 mm
Compatible for shafts: 5/16" - 11/32" - 23/64"
Weight : 9g

Price : 1.20€ /unit

Leather purses, used over a long period in the Middle Ages.
Fragments were found at the Haithabu (Viking) excavations, and similar ones at the London excavations from 1150 to 1380.
Browsing through 13th century illuminations, one also finds depictions of purses attached to braies.

Details :
- size approx. 13x18cm
- vegetable tanned goat leather
- hand sewn with a thread of woven linen
- application of a nourishing and protective wax based on beeswax

Possible options :
- dimensions to measure
- Choice of colours

Price : from 37€

Long linen braies in use until the beginning of the 14th century.
The length is approximately mid-calf.
A drawstring allows each leg to be tightened below the knee.
Very useful when you put your separate hoses.
They are slit in the leg.
There are two eyelets that reveal the waistband to tie separate hoses.

Source:
- Rutland Psalter
- Maciejowski Bible

Possible options :
- Visible handmade seams
- Materials : linen or hemp

Linen price : 58€

The cotte (tunic) is a woollen garment, sometimes lined, worn over the shirt.
In the 13th century, it was knee-length for modest statuses, but the richer ones could also wear it for practical reasons (hunting, horse riding for example).
It has a loose fit and is worn with a belt.
The collar is fitted and can have several fastening systems. The most common is the amigaut (central slit) which is closed by a brooch or a lace.
The sleeves, wide from the shoulder, are adjusted on the forearm. Depending on the status, they can be closed with buttons, discreet lacing or nothing (more modest status).
Historically, it is worn bloused at the level of the belt, this one will be dissimulated in the folds of fabric.
It can be split at the front and back.
The cotte will continue to exist in the 14th and 15th century with some modifications (shape of the sleeves, width, collar), for the modest statuses.

Sources:
- Rutland Psalter
- Maciejowski Bible

Possible options:
- With or without lining
- Exposed handmade seams
- Decrease or increase of the total width
- Collar: round, round split (most common and shown), buttoned, split with lace (rare)

Price: from 200€

Linen coiff, common from the 12th century onwards.
It can be tied under the chin. Can be worn alone or with another headdress (straw hat, hood, etc.).

A two-piece model was used in the 13th and 14th centuries.

Sources :
- Maciejowski Bible
- Belgium Psalter, J. Paul Getty Museum, 1280

Possible option:
- Visible handmade seams
- Material: linen or hemp
- Colour : white or natural

Price : 15€

This surcoat, sometimes called "garde corps", is a mixed garment from the 13th and early 14th centuries. It was worn as a final layer, over a cotte.
There are several types of travel surcoat, notably liturgical ones, but here we are talking about the secular surcoat, called "rain cape" in medieval texts.
It is represented in all social circles, more often worn by men than women, and often worn in travel situation.
The sleeves can have several shapes:
- long, straight, wide sleeves
- organ-pipe sleeves, referring to a multitude of folds at the base of the sleeve (the more folds, the richer the status)
- short sleeves ending at the elbow, very flaredMany sleeves have an opening, either through a slit along the sleeve or through an opening in the armpit.
This surcoat can be more or less long (from the knee to the ankles), and slit at the front or back for riding.

Sources:
- Psalter, imperfect, Netherlands, 2nd quarter of the 13th century
-La Somme le Roi, f. 136v (1295), f. 136v (1295)

Possible options:
- Exposed handmade seams
- With or without lining
- Different types of sleeves
- Material of the lining: linen, fur, silk
- With or without hood

Price: from €213

This dress also called cotte is worn over the shirt.
It is cut close to the body on the bust then flares out.
Its neckline can be very wide until the top of the shoulders is completely revealed.
Type 2 does not have a central opening, the location and the cutting of some cups in the bias of the fabric, allows to put on the dress while keeping a garment close to the body at the bust level.
The sleeves are fitted and buttoned.

Possible options:
- with or without lining
- plain or two-tone colour
- Metal buttons
- Visible handmade seams

Source:Herjolfsnes excavations

Price: from 290€

Brass buckle and strap end, sourced between the 14th and 15th century (London Museum) in the shape of a maple leaf.
Eight brass floral mounts.
Hand-dyed, beeswaxed leather.
Vegetable tanned leather

Leather thickness: 2.2mm
Belt width: 1.7cm
Length: 150cm

Price: 90€

Reproduction on order with dye, dimensions and decorations of your choice.

Short cloak 3/4 circle, closed on the shoulder by several buttons.
It is mostly worn by men.
It appeared during the 14th century and continued to be worn in the 15th century.

Sources:
- Regnault de Montauban, Ms-5072, f.4r (1451-1500)
- Guillaume de Machaut, BNF Fr. 1584, (1372-1377)

Possible options:
- With or without lining
- Type of buttons : fabric or metal
- Visible handmade seams
- Decorative daggings on the edges

Price from 155€

This 13th century feminine headdress is reserved for the nobility.
It is composed of 2 parts:
- the touret is the piece placed in the crown
- the barbette, the one that goes under the chin
The touret is held in place by pinning to the back of the skull.This headdress evolves throughout the century, on the photos it is a plausible model around 1250. It can be worn with braided hair or with a net holding the hair.

The pourpoint of Charles de Blois is a garment that is in an excellent state of preservation.
The artefact dates from 1364, and several miniatures show similar garments throughout the second half of the 14th century.
It has numerous buttons on the sleeves and on the central opening.
It comes down quite low (it will cover the braies) and has laces attached on the lining side to fasten the later separate hoses.
It has the particularity of sculpting the silhouette by making a fine waist and a bulging torso, and of having sleeves called "à grande assiettes", with armholes that go very far towards the centre of the bust.
This type of garment could be worn in both civilian and military costume.It seems that there were many variations (lacing on the bottom and buttoning on the bust), with or without buttons on the sleeves, etc.

Sources:
- Pourpoint of Charles de Blois (Artefact)
- Giovanni Boccaccio, Des cas des nobles hommes et femmes, Paris fol. 37r (1410)
- BNF New French acquisition 5243 Guiron le Courtois (1370-1380)

Price: from 560€ (with buttons reduced)

Long saddle pad cover (not padded) in wool with linen or cotton lining.
Slits on each side for the passage of the saddle girth.
Can be installed over a modern saddle pad or without.
Used from the 13th to the 15th century in civil but not military contexts.
To my knowledge, no representations for men in the 13th century.

Sources:
- Entrée de Charles V à Paris, BnF, Ms 6465, fol. 417 (1455-1460)
- Stuttgart playing cards, ca. 1430
- UBH Cod. Pal. germ. 848 Codex Manesse, fol. 69r (1300-1340)
- Roman d'Arthur, France, Beinecke MS 229, fol 40v. (1275-1300)

Options:
- Different materials
- Different daggings

Price: from 105€

Saddle pad cover (not padded) in wool with linen or cotton lining.
Slots on each side for the strap (not shown on the picture).
Can be installed over a modern saddle pad or without.
Used throughout the Middle Ages.

Sources:
- Moralia in Job, Dijon, BM, 0173 (0137) (12th century)
- De arte venandi cum avibus, Germany (1240)

Options :
- Different material
- Decoratives daggings on edges

Price : from 57€

The henin or truncated henin that could only be worn by the nobility in the 15th century.
It can be truncated or not, in a plain colour or with a pattern. Most often it is decorated with a rather transparent white veil.

Source :
- Moreel triptych (Hans Memling)
- Portrait of a young woman, circa 1460, Rogier van der Weyden

Price from 106€ (without veil).

Women's hoses used in the 13th, 14th and 15th centuries (note that they are certainly earlier than the 13th century).
They are mainly made of wool and cut on the bias.
They are held in place by garters attached below the knee.

Possible options :
- visible handmade seams

Price from 50€

It is similar to the travel surcoat (13th century).
Natural coloured wool is preferred as it is less expensive.
It has a hood and wide sleeves most often, early representations can be found with short sleeves, it can be slit on the sides or on front and back, or with different lengths.
On some late sources, it seems that a hood is preferred instead of a cowl.

Sources:
- Investiture of a Benedictine Monk, from 'De Universo' by Rabanus Maurus (c.780-856)
- Rules of Saint Benedict- Notker the Stammerer, St. Gallen workshop, 10th century miniature
- St. Benedict delivering his Rule to St. Maurus, Monastery of St. Gilles, 1129

Price from 216€

The scapular is a kind of rectangular surcoat, completely open at the sides and with a hood.
It is a garment that was worn by monks, especially during manual work.
It is made of natural coloured wool.

Options :
- visible handmade seams
- with or without lining

Source:
- Cambridge Digital Library, MS Mm.5.31, f.113r (13th century)
- Dijon Bibliothèque municipale Ms.173; fol.41r (12th century)

Price: from 110€

A surcoat with elbow patches (or helles) is a garment worn over a cotte between 1340 and 1360.
The term cotte-hardie is sometimes used for this surcoat.
It has a central button opening, several gores under the waistband to give a nice fullness, and short sleeves extending into a strip of fabric.

Possible options:
- visible handmade seams
- with or without lining (mandatory for elbow pads)
- plain or two-tones
- fabric or metal buttons

Sources :
The Peacock's Vows, MS G.24 fol. 56r (1350)
Funeral slab of Friedrich von Hohenlohe (1354)
Bodley 264 Romance of Alexander fol.143v (1338-1344)

Price: from €310

This garment, worn in the 15th century, is put on over a doublet.
It reveals it at the collar and sleeves when the dress has split sleeves.
The garment is loose and pleats at the waist, the sleeves are wide and usually have some pleats at the shoulders.
The opening is made by discreet hooks fixed on the lining side.
3 possible lengths: short (under the buttocks), medium (knee), long (ankle) to be preferred for richer status.

Possible options :
- adjustable length
- with or without perthuis
- with or without lining
- visible handmade seams
- type of lining

Price: from 177€

A gown worn by women of the nobility in the 13th century, over the shirt.
The elegance and wealth is found in the fullness and drape (belt required), it seems that the dresses were very long (potentially higher than the stature of the wearer).
They were bloused at the waist with the belt becoming inconspicuous. The way they walk, with the toe forward, helps to move without crushing the fabric.
The sleeves are loose on the upper arm, but once past the elbow they become very tight on the forearm which has little buttons.

Possible options:
- visible handmade seams
- type of lining : silk is preferred for noble
- with or without lining
- fabric or metal buttons

Source :
- Dress of St Clare, Basilica Santa Chiara, Assisi
- Medieval Costume in the 13th century (1180-1320), Tina Anderlini
- BNF, Apocalypsis cum figuris 1275-1300

Price: from 300€